songs we’ve worked on by genre

We were responsible for Mastering Alex’s new album. We worked hard to get a really cool super open, analog, but loud record. I really love how this has a great deal of dynamics and separation in it. It honours the original design and keeps the listeners engaged. Really great production and instrumentation on this. Loved working on it. With any album or E.P we work on, we aim to ensure the songs work really well together, whilst keeping the sonic identity of each.

We were responsible for Mastering Darcey Salt’s E.P. Darcey’s music has really incredible performers and instrumentalists on it, and we wanted to honor that. We were sent a few references to artist’s she likes, and we aimed to give it that similar transient response/feel. We used mostly analog equipment other than the final digital limiter, keeping it smooth, warm, and open…but still competitively loud.

We were responsible for Mastering four songs for Shelf Lives and producer SPACE (Idles). The goal was to “Make it sound like a loud live gig”. We pushed these records, we added distortion, we made them feel MORE punk!

We were responsible for Recording/Mixing/Mastering this beautiful song. We got to know Alex (Singer) and found the sound he was after. We are also responsible for Mastering all of his music releases to date; both studio albums and live albums. In 2025 we Mixed and Mastered his first album to give it a brand new refresh.

We were responsible for Mastering a 23 track album for artist “LANG”. We got it sounding powerful and punchy. This matters especially for Hip-Hop. We try to think of Mastering as bringing out what is already there. These tracks were already very well produced, and just needed added power and depth.

We were responsible for Co-Mixing and Mastering with Producer Aaron Horn in Crate Classics studio. I love the deep low end on this, transient drums and bright pop vocals.

We were responsible for Mastering this beautiful song for Poeina. It was Mixed and Produced by Adam Moesley (U2, The Cure, Roxette). We wanted to keep it organic to serve the song’s energy and vibe. We used processing sparingly and got the sound they were looking for.

We were responsible for Mastering Killa Yan’s E.P. We love his voice and songwriting! We made sure each track worked well with each other. We achieved a cool punchy sound.

We were responsible for Mastering Levina’s album. She is so talented! We used some of our favourite analog equipment to give the album an organic sound. Her songwriting lends well to this vibe. We made sure all of the songs worked well together and flowed nicely too. This is one of our favourites from it.

This may be one of our favourites to date. We were responsible for Mixing and Mastering this song with Grammy Nominated producer group “Crate Classics”. We really love how punchy we got it. The bass hits hard, the drums punch, the vocals sit perfectly within the song.

We were responsible for Mastering Dia’s album. Green Tea was one of our favourites. It recently won a YMA award! We wanted to keep the beat powerful, keep it organic, and vocals present. Our analog gear really helped us do this.

We were responsible for Mixing and Mastering this (and a few others) for Harry. It was cool to be able to have free-reign on getting the sound he was after.

We were responsible for Stem Mastering a few songs by Sølv. We worked with her in the studio to get the sound she was after. She is a great producer and knows what she wants. We helped fine tune the sound to help with things like frequency masking and sound placement. Great records to be part of!

This song goes HARD! We were responsible for Mastering this heavy track. We carefully automated saturation and EQ throughout, to make the big sections feel aggressive and harsh. We kept things more subtle in the sections before so that there is a greater contrast. It’s a truly unique and interesting track by a very talented producer.

Well what can we say about this track…it has so many interesting qualities to it. Blending hard electronic with demonic choir music and dubstep. We HAD to work on it! We were able to get the sound Oliver wanted. He wanted it big and proud, but also didn’t want to crush the choir parts. We found a nice happy medium by automating our analog units to work harder/softer in specific sections of the song. We automated EQ in the heavier sections to give an abrasive feeling too!

Over the past year we have worked with Paul on a number of releases. Mastering and Stem Mastering. Trance music can be a bit of a challenge to work on due to the high frequency synths needing space. These synths are essential for the sound to work, but at the same time you don’t want it to be overwhelming and harsh. We found the perfect method for getting them to sit right with stem mastering. This track was all about the energy.

We were responsible for Mixing and Mastering this song, (and quite a few others) with Grammy Nominated producer team, “Crate Classics”. They were the producer team that wrote “Woman” by “Doja Cat”. This is one of their new ones made for Dayyani. She has a really cool voice and beautiful melodies. We like the blend of dnb and emo guitar.

This was a fun one! Eville have a cool sound. Somewhere between heavy electronic and metal. BRAT METAL. Working with them and multi-gold selling producer Jamie Sellers, we were able to get a cool sound that feels aggressive in tone, and goes hard.

We have Mastered several tracks for Nil By Habit. They are a great band with a very charming sound. This was all about keeping it exciting and energetic to match their references.

We were responsible for Mastering Avalanche Party’s album. This is one of our favourites from it. Working with producer, SPACE was fun! Make it loud, make it proud, make it heavy.

We are very proud to have Mastered Goldi’s single “How I do?”. She’s a very unique songwriter. Her sound lends itself well to an organic approach. We used our favourite tube processors for this.

We were responsible for Mastering Bryce Lamar’s E.P. He has a really unique voice and tone. We love the way the E.P has a cool intimate sound to it. We used our tube EQ and Compressors to enhance this further. When it comes to E.P Mastering - we like to shape it so that each song feels like it is from the same record.

We were responsible for Mastered Jack Rhodes James incredible album. The production of the album is really interesting. We were able to give it the final sound that worked really well to the feeling he made. We used some of our analogue tools, which really lends itself well to acoustic music.

We were responsible for Mastering a number of records by the fabulous Zoe Badman. This song is so beautiful. Reminiscent of Winehouse, we wanted to keep the vibe analog and organic.